For years I abused my eyelashes. Not intentially mind, that'd be weird. No, it was just that during my uni years I went out pretty well every night and by the time I flopped into bed as the sun was peeking up I was too darned tired, or, well yes, maybe a little under the influence, to remove my make-up like a sensible lass would. So now, at 40, I have short, stumpy little lashes and must rely on the genius of mascara creators to help me out.
Now for my quandry... Have you noticed that on lash ads these days there's a teeny little bit of print, down the side, or running across the bottom with words such as "Lash Dramatisation". What in the hell's that about? Are lashes about to burst into a soliloqy from Macbeth? No, what it means that these lashes are not the product of that black stuff in a tube, rather, they're the work of a talented artist and photoshop. I ask you - WHAT'S THE POINT?
If I'm buying a mascara I don't want the one from a company that has a talented artist working in front of a shiny Mac - I want one that (colour me naive) makes my lashes longer and fuller! Which, mind you, I do believe I have found. I have three faves in my eyelash wardrobe:
For a simple, daytime, no-make-up look (ha!) it's Napoleon
For drama and a bit of ooh la la it's Dior Show
And my new fave, that's a bit in-between the two, is Two-Timer, the balm. It's a snazzy little number with a too-fun pack with a retro-vibe. Ladies, you have two choices of brush - Johnny Finetune, the definer and Marcus Lashalot, the volumizer. The packaging's very noir - and so's my fave shade - an inkly black that creates come hither lashes in a flash.